Born in Naples in 1955, Massini relocated to Treviso in the early 1980s, after completing his studies at the Academy of Fine Arts in Naples in the mid-1970s. He now lives and works in Treviso, Italy. His early exposure to both classical traditions and modernist movements laid the groundwork for his innovative approach to painting and mixed media. His art is characterised by rhythmic patterning, intricate surfaces, and a meticulous layering of pigments and materials, resulting in paintings that verge on the sculptural — rich in both visual and tactile depth.
Massini’s style defies easy classification. Describing his approach as “meta-historical,” he conjures a visual realm that fuses timeless iconography with contemporary material processes. Ethereal church spires, blossoms, maritime vessels, vials, amphorae and antique goblets appear against matte, lacquered backdrops, transforming everyday or folkloric subjects into enchanted forms. His compositions pulse with energy, drawing the viewer into a dialogue between simplicity and complexity, repetition and variation, chaos and order.
Central to Massini’s artistic philosophy is his meditative process. He engraves fine, repetitive lines and curves into each surface with near-trance-like focus, reflecting on universal symbols that transcend time and space. This deep engagement with the physicality of the medium produces works that feel experiential as much as visual − compositions that echo natural cycles and invite quiet contemplation.
Massini’s work has been featured in numerous international exhibitions, including Cassina Projects, Forma Gallery, Paris (2023); Kunsthalle Budapest, Hungary (2005); MAMbo – Museo d’Arte Moderna di Bologna, Italy (2003); and the Museum der Moderne, Salzburg, Austria (2000), among others.